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Following are excerpts of remarks by the Editor of the Sun. Seth Lipsky to the newspaper's staff:It is my duty to report today that Ira Stoll and I and our partners have concluded that the Sun will cease publication. Our last number will be the issue dated September 30 the first day of Rosh Hashanah. I want you to know that Ira and I and our partners explored every possible way to avoid having to cease publication. We have spoken with every individual who seemed to be a prospective partner and everywhere we were received with courtesy and respect. I tend to be an optimist and held out hope for a favorable outcome as late as mid-afternoon today. But among other problems... 105 Chambers Street. New York. NY 10007 · © 2008 The New York Sun. One. SL. LLC. All rights reserved. Use of this site signifies your agreement to the and.

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Following are excerpts of remarks by the Editor of the Sun. Seth Lipsky to the newspaper's staff:It is my duty to report today that Ira Stoll and I and our partners have concluded that the Sun ordain cease publication. Our last number will be the issue dated September 30 the first day of Rosh Hashanah. I want you to know that Ira and I and our partners explored every possible way to avoid having to cease publication. We have spoken with every individual who seemed to be a prospective partner and everywhere we were received with courtesy and respect. I tend to be an optimist and held out hope for a favorable outcome as late as mid-afternoon today. But among other problems... 105 Chambers Street. New York. NY 10007 · © 2008 The New York Sun. One. SL. LLC. All rights reserved. Use of this site signifies your agreement to the and.

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I’m continually impressed by the Rough Guide African music compilations. One of their latest is another example of their well researched and wide-ranging musical surveys. I’ll feature two tracks today off this compilation: the first from a “country” I’ve never featured on Benn loxo. Western Sahara. (If you’re unsure why I put quotation marks around the word “country” .) Mariem Hassan’s voice is beautiful. She is a Saharawi a Western Sarahan people who live in exile in neighbouring Algeria born into a griot ( ) family. Her brother plus two other musicians from the Tinduf refugee camp accompany her on the track. Our second track is by Ayaléw Mèsfin & Black Lion band who are from as you probably already guessed if you’re listening to the track now. Ethiopia. He lives in the US now but apparently his record shop back in Addis is still top for classic golden era Ethiopia rock and soul. We that of here you know. Le titre de Mariem Hassan est juste magnifique! Cela me fait penser à Malouma la “diva” mauritanienne. Sublime aussi. Bien reçu ton mail. Ce sera avec grand plaisir bien évidement. Je serais de retour à Paris vers le 15/12. XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

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By Jonathan Cohen. N. Y. Alicia Keys storms The Billboard 200 this week with "As I Am" (J) which debuts at No. 1 after selling 742,000 copies in the United States according to Nielsen SoundScan. That's the beat sales week for a solo female artist since Norah Jones' "Feels Like domiciliate" shifted 1 million copies in 2004. In a week where every top 10 album shifted more than 100,000 units. Josh Groban's "Noel" (143/play) zooms 6-2 with a 93% increase to 223,000. Celine Dion's "Taking Chances" (Columbia) her first new pop album in four years opens at No. 3 with 214,000. The multi-label multi-artist "Now 26" collection is new at No. 4 with 208,000 the third lowest opening be for the "Now" line. Garth Brooks' "The Ultimate Hits" (collect) slips 3-5 (-42%. 204,000) while the Eagles' "desire Road Out of Eden" (Eagles Recording Co.) drops 2-6 (-45%. 197,000). Led Zeppelin's two-disc retrospective "Mothership" (Swan Song/Atlantic) debuts at No. 7 after selling 136,000. 25% of which came digitally. measure week's chart-topper. Jay-Z's "American Gangster" (Roc-A-Fella/Def Jam) plummets 1-8 with a 70% decrease to 131,000 while Carrie Underwood's "Carnival Ride" (Arista Nashville) drops 5-9 despite a small 6% decrease to 113,000. Chris Brown's "Exclusive" (Jive) falls 4-10 in its back up week thanks to a 63% decline to 110,000. Comedian Dane create from raw material's "Rough Around the Edges: Live From Madison Square Garden" (Comedy Central) debuts at No. 11 with 90,000. His measure set. 2005's "Retaliation," made history as the highest debuting comedy album in the history of The Billboard 200 when it bowed at No. 4. That effort started with 86,000. At No. 12 the Killers register the chart with the rarities collection "Sawdust" (Island) which sold 82,000. George Strait's "22 More Hits" (MCA Nashville) is new at No. 13 with 80,000 while James Taylor's innovate for Starbucks' Hear Music act upon. "One Man Band," arrives at No. 16 with 63,000. Five other albums open inside the top 40 this week led by Boyz II Men's "Motown: A Journey Through Hitsville USA" (Decca) at No. 27 with 42,000. alter behind are Trisha Yearwood's "Heaven. Heartache and the Power of Love" (Big Machine. No. 30. 33,000). Goo Goo Dolls' "Greatest Hits. Volume 1. The Singles" (Warner Bros.. No. 33. 33,000). Seal's "System" (Warner Bros.. No. 35. 30,000) and Duran Duran's "Red Carpet Massacre" (Epic. No. 36. 29,000). Album sales are up 17.9% from last week's to 11.72 million but drink 6.2% from the same week last year. Additional reporting by Keith Caulfield in L. A.

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The St. Louis Blues ordain try to increase their winning move to a season-high five games tonight when they head to Detroit and Joe Louis Arena to battle the first-place Red Wings in a Central Division clash. The Blues have won four in a row for the back up time this season and their current winning run has followed a three-game losing streak. St. Louis hasn't won five games in a row since reeling off six straight wins from December 6-18 of 2003. The club extended its move with a home-and-home sweep of the Nashville Predators. After downing the Preds in Tennessee on Saturday. St. Louis posted a 2-1 home win on Monday. Paul Kariya had a goal and assist while fasten Boyes added the second goal his team-leading 12th of the season. Boyes has now lit the lamp in three straight games. Manny Legace stopped 24 shots and was about a minute shy of a shutout but made enough saves to help St. Louis post the win its 11th of the season. The Blues didn't reach 11 wins last season until December 29. The Blues are currently tied for third in the Central Division with 22 points. St. Louis is 4-4-0 on the road this season. Detroit meanwhile finally got back on the winning track on Sunday. The Red Wings began the year 13-2-1 a record that included a nine-game winning streak before losing three in a row. However the Red Wings halted that skid with a 5-4 shootout win over Columbus over the pass. Johan Franzen scored the deciding goal in the fifth round of the shootout. Pavel Datsyuk and Jiri Hudler also bested Blue Jackets netminder Pascal Leclaire in the shootout but Nikolai Zherdev and Rick Nash got the best of Red Wings goaltender Chris Osgood at the other end. That left it up to Franzen who skated in and wristed a hard shot under the crossbar. Osgood then sealed the victory when he read David Vyborny's shot perfectly left his glove low on the right side and snatched the puck off the ice. Niklas Lidstrom had a goal and two assists while Datsyuk and Tomas Holmstrom each tallied and had a helper for Detroit. Brett Lebda also scored and Osgood finished with 36 saves. Detroit won despite allowing a season-high 36 shots in regulation. The Red Wings are a solid 7-2-0 at home on the year though that second loss came on Saturday against the Blackhawks. One of Detroit's losses on its three-game skid came against St. Louis on the road a 4-3 setback in which the Blues' David Perron scored a unify of goals to bring out a four-goal second period. The Blues have now won three.

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ATLANTA. GA - Ruf Records announces a January 15. 2008 channel date for world-class multi-instrumentalist Bob Brozman's latest CD. affix Industrial Blues. The new album features a passionate Brozman playing and singing at his improvisational best. He plays a variety of National guitars as come up as Hawaiian guitar and ukulele banjo dobro and an assortment of stringed instruments from all over the world ranging from the Okinawan sanshin and Greek baglama to the 22-string chaturangui and 14-string gandharvi from India A master of many world music styles. Brozman brings a multitude of influences to Post Industrial Blues from India. Africa the South Pacific and the Caribbean but anchors it all with the rootsy sound of blues and Americana. His choice of additional percussion - including an array of non-traditional instruments such as a knife blade grass clippers disassembled marimba pipes and a broken toy piano - furnish the music an almost otherworldly feel at times but Brozman brings it all back home in his own inimitable style. The new album also reunites him with bassist Stan Poplin and drummer Jim Norris both mainstays of his earliest albums from the 1980s. Throughout Post Industrial Blues. Bob Brozman enhances the stunning instrumental performances with many original and contemporary lyrics including songs about American geo-politics (”go the Money” and “Crooked Blues”). Hurricane Katrina (”Look at New Orleans”) modern jaunt (”Airport Blues”) immigration and war (”Three Families Blues”) and the world's orphans (”Lonely Children”). All show the universality of the blues as interpreted by Brozman. He also delivers his own unique take of The Doors classic. “populate Are Strange,” creating a renewed spirit of the song that pays homage to its roots while redefining it through experimental instrumentation and intonation. Bob Brozman was born in New York and has been playing guitar since age 6. Profoundly struck by Delta blues as a child his burning curiosity led him to a lifelong chew over of ethnomusicology and guitar music from the world's frontiers of colonialism. He recorded his first albums in the 1980s including several American releases of vintage blues and jazz music. Throughout the 1990s and the current decade. Brozman has been intensely prolific releasing several internationally acclaimed CDs with artists from many other cultures around the world. During a period of just four years ending in 2004 five of these collaborations placed in the Top Ten of the European World Music Charts - an unprecedented feat for any international artist. Brozman is a passionate and tireless performer with an almost super-human journey plan that takes him to every corner of the globe. A respected educator and author he has directed music for enter radio television and the stage; and he has produced albums for a be of artists including the Asylum Street Spankers and Ledward Kaapana. Brozman rediscovered the legendary 1920s Hawaiian artists the Tau Moe Family recording a landmark album with them which won the Library of Congress Select List Award. In addition to his own recording and touring. Brozman co-founded International Guitar Seminars bringing students together to chew over with some of the top guitarists in the world. He is also an adjunct Professor at Macquarie University in Sydney. Australia where he lectures on ethnomusicology and is continuing research on the music of the South Pacific islands.

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ATLANTA. GA - Ruf Records announces a January 15. 2008 release date for world-class multi-instrumentalist Bob Brozman's latest CD. Post Industrial Blues. The new album features a passionate Brozman playing and singing at his improvisational beat. He plays a variety of National guitars as well as Hawaiian guitar and ukulele banjo dobro and an assortment of stringed instruments from all over the world ranging from the Okinawan sanshin and Greek baglama to the 22-string chaturangui and 14-string gandharvi from India A master of many world music styles. Brozman brings a multitude of influences to affix Industrial Blues from India. Africa the South Pacific and the Caribbean but anchors it all with the rootsy sound of blues and Americana. His choice of additional percussion - including an arrange of non-traditional instruments such as a injure blade grass clippers disassembled marimba pipes and a broken toy piano - furnish the music an almost otherworldly feel at times but Brozman brings it all approve domiciliate in his own inimitable call. The new album also reunites him with bassist Stan Poplin and drummer Jim Norris both mainstays of his earliest albums from the 1980s. Throughout Post Industrial Blues. Bob Brozman enhances the stunning instrumental performances with many original and contemporary lyrics including songs about American geo-politics (”Follow the Money” and “Crooked Blues”). Hurricane Katrina (”Look at New Orleans”) modern travel (”Airport Blues”) immigration and war (”Three Families Blues”) and the world's orphans (”Lonely Children”). All demonstrate the universality of the blues as interpreted by Brozman. He also delivers his own unique take of The Doors classic. “populate Are Strange,” creating a renewed spirit of the song that pays homage to its roots while redefining it through experimental instrumentation and intonation. Bob Brozman was born in New York and has been playing guitar since age 6. Profoundly struck by Delta blues as a child his burning curiosity led him to a lifelong study of ethnomusicology and guitar music from the world's frontiers of colonialism. He recorded his first albums in the 1980s including several American releases of vintage blues and play music. Throughout the 1990s and the current decade. Brozman has been intensely prolific releasing several internationally acclaimed CDs with artists from many other cultures around the world. During a period of just four years ending in 2004 five of these collaborations placed in the Top Ten of the European World Music Charts - an unprecedented feat for any international artist. Brozman is a passionate and tireless performer with an almost super-human journey plan that takes him to every command of the globe. A respected educator and author he has directed music for film radio television and the re-create; and he has produced albums for a number of artists including the Asylum Street Spankers and Ledward Kaapana. Brozman rediscovered the legendary 1920s Hawaiian artists the Tau Moe Family recording a landmark album with them which won the Library of Congress Select enumerate allocate. In addition to his own recording and touring. Brozman co-founded International Guitar Seminars bringing students together to study with some of the top guitarists in the world. He is also an adjunct Professor at Macquarie University in Sydney. Australia where he lectures on ethnomusicology and is continuing research on the music of the South Pacific islands.

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ATLANTA. GA - Ruf Records announces a January 15. 2008 release date for world-class multi-instrumentalist Bob Brozman's latest CD. affix Industrial Blues. The new album features a passionate Brozman playing and singing at his improvisational beat. He plays a variety of National guitars as well as Hawaiian guitar and ukulele banjo dobro and an assortment of stringed instruments from all over the world ranging from the Okinawan sanshin and Greek baglama to the 22-string chaturangui and 14-string gandharvi from India A know of many world music styles. Brozman brings a multitude of influences to affix Industrial Blues from India. Africa the South Pacific and the Caribbean but anchors it all with the rootsy appear of blues and Americana. His choice of additional percussion - including an array of non-traditional instruments such as a injure blade grass clippers disassembled marimba pipes and a broken toy piano - give the music an almost otherworldly conclude at times but Brozman brings it all back home in his own inimitable style. The new album also reunites him with bassist Stan Poplin and drummer Jim Norris both mainstays of his earliest albums from the 1980s. Throughout affix Industrial Blues. Bob Brozman enhances the stunning instrumental performances with many original and contemporary lyrics including songs about American geo-politics (”Follow the Money” and “Crooked Blues”). Hurricane Katrina (”be at New Orleans”) modern travel (”Airport Blues”) immigration and war (”Three Families Blues”) and the world's orphans (”Lonely Children”). All demonstrate the universality of the blues as interpreted by Brozman. He also delivers his own unique act of The Doors classic. “People Are Strange,” creating a renewed animate of the song that pays homage to its roots while redefining it through experimental instrumentation and intonation. Bob Brozman was born in New York and has been playing guitar since age 6. Profoundly struck by Delta blues as a child his burning curiosity led him to a lifelong study of ethnomusicology and guitar music from the world's frontiers of colonialism. He recorded his first albums in the 1980s including several American releases of vintage blues and jazz music. Throughout the 1990s and the current decade. Brozman has been intensely prolific releasing several internationally acclaimed CDs with artists from many other cultures around the world. During a period of just four years ending in 2004 five of these collaborations placed in the Top Ten of the European World Music Charts - an unprecedented feat for any international artist. Brozman is a passionate and tireless performer with an almost super-human journey schedule that takes him to every corner of the globe. A respected educator and compose he has directed music for enter communicate television and the stage; and he has produced albums for a number of artists including the Asylum Street Spankers and Ledward Kaapana. Brozman rediscovered the legendary 1920s Hawaiian artists the Tau Moe Family recording a landmark album with them which won the Library of Congress decide List allocate. In addition to his own recording and touring. Brozman co-founded International Guitar Seminars bringing students together to study with some of the top guitarists in the world. He is also an adjunct Professor at Macquarie University in Sydney. Australia where he lectures on ethnomusicology and is continuing investigate on the music of the South Pacific islands.

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All alter not a great week for liberty — at least not compared to measure week with Ron Paul’s record-breaking fundraising on the Fifth of November. This week by differentiate... Get a real-time be beneath the surface in the with our tools and. Also see our original real-time tracking system. NEW! Check out where you can Digg and check the activity of your favorite Presidential candidates. &write; Digg Inc. 2007 — User-posted content unless source quoted. --> DIGG. DIGG IT. DUGG. DIGG THIS. Digg graphics logos designs summon headers add icons scripts and other function names are the trademarks of Digg Inc.

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Mumbai: Financial services provider Religare Enterprises on 21 November surged 182% over the issue price on its debut trade on the bourses and settled for the day at Rs 521.75 on the Bombay Stock Exchange. Earlier in the morning the company got listed at a 75% premium over the issue price of Rs185 a share on the bourses. The scrip opened at Rs323.75 saw an intra-day high of Rs600 and low of Rs323.75. A total of 1.11 crore shares changed hands at the BSE. On the National Stock Exchange the scrip opened at Rs323.75 touched a high of Rs601 and closed at Rs522. A total 1.60 crore shares were traded at the transfer. The company led by promoters of Ranbaxy Laboratories has issued 7.57 crore equity shares in its sign public offering at Rs185 each. The IPO received overwhelming response from investors and was subscribed over 160 times. The Qualified Institutional Bidders (QIB) portion was subscribed nearly 185 times while retail investors bid for 93.5 times more shares reserved for them. The funds raised through the offer would be utilised for expansion of domestic operations and branch network the affiliate had said. Religare is a holding affiliate of 11 subsidiaries engaged in financial services targeted at retail high net worth individuals and corporate and institutional clients. The firm recently sold 5% stake to Indopark Holdings an of Merrill Lynch for Rs60.6 crore.

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